The Talamanca Review
Thank you, Nelson
Thank you, Nelson
I asked AI to create a comprehensive podcast-style review of my favorite book of yours, the light of darkness. It's quite interesting, check it out.
The Talamanca Review
Bruce MacDonald juggles the themes of economics, love, religion, spirituality, and self-delusion with the balance, dexterity, and mastery of an old hand from Cirque du Soleil. Smart, funny, and profoundly seditious, God is an Economist is an exhilarating and satiric tour de force, an eloquent, insightful, and contemporary novel that counterpoints iconoclastic acerbic wit with honest compassion and seduces with its compelling and provocative characters, scathing societal critique, and a playfully applied sense of mysticism. God is an Economist recounts the impudent odyssey of William Tobe, an Ottawa-born economics grad, who moves to Toronto and falls under the spell of the recently paroled Randall Cobb Seymour. The Cobb is a vengefully shrewd and charismatic Native Canadian part Mohawk, part Ojibwa, the embodiment of the trickster and a powerfully animated personality of cunning, gall, and uninhibited entrepreneurial instincts. He is hell-bent on beating the white man at his own dirty game and, in doing so, he masters what he calls the Queen's economy. Good-hearted Will not only becomes involved in Cobb's scams, but finds himself swept up in his own evolving, urban vision quest.
Bruce MacDonald juggles the themes of economics, love, religion, spirituality, and self-delusion with the balance, dexterity, and mastery of an old hand from Cirque du Soleil. Smart, funny, and profoundly seditious, God is an Economist is an exhilarating and satiric tour de force, an eloquent, insightful, and contemporary novel that counterpoints iconoclastic acerbic wit with honest compassion and seduces with its compelling and provocative characters, scathing societal critique, and a playfully applied sense of mysticism. God is an Economist recounts the impudent odyssey of William Tobe, an Ottawa-born economics grad, who moves to Toronto and falls under the spell of the recently paroled Randall Cobb Seymour. The Cobb is a vengefully shrewd and charismatic Native Canadian part Mohawk, part Ojibwa, the embodiment of the trickster and a powerfully animated personality of cunning, gall, and uninhibited entrepreneurial instincts. He is hell-bent on beating the white man at his own dirty game and, in doing so, he masters what he calls the Queen's economy. Good-hearted Will not only becomes involved in Cobb's scams, but finds himself swept up in his own evolving, urban vision quest.
